Lee Child and the MWA-NY Revels
On Wednesday, December 2, we had our MWA-NY Chapter annual Winter Revels holiday party. Our guest of honor, our sort-of-Secret-Santa, was best-selling author Lee Child. We were in the formal reception room of the Salmagundi Club, the club where we have all our meetings. There was an open bar, appetizers, and a mountain of bright red goodie bags. The place was packed. [Click here to see an album of photos from the event.]
Child was a perfect Santa for us. He’s a quintessential New Yorker—he dresses in black, is hard working and successful, and comes from somewhere else. He’s also typical in that you expect him to be cold and unfriendly, yet he’s surprisingly approachable. On the street he’d probably give you directions. He was also perfect because, a head taller than everyone else, you could easily pick him out above the bobbing heads in the crowded room. In fact, he was easier to find than the bar. There was a bottleneck around it. But, you show me any bar in a busy location that’s giving away booze, and tell me it’s easy to get to. I won’t believe you.
Richie Narvaez, who is ending a two-year run as chapter president, was presiding for the last time, with his usual warmth and humor. He’s brought kindness and a more efficient use of social media to the chapter, among many other things. A joy to work with on the board.
Chapter President Emerita Patricia King presented well-deserved Silver Noose pins to Clare Toohey, the former chair of our Program Committee, and Richie, for their service to the chapter. It’s a great symbolic little pin—a pen nib twisted into a hangman’s noose.
At one point I spoke to Lyndsay Faye, who was looking beautiful, as usual, in black lace. Wonderful little back shoes decorated with colored subway lines. Lyndsay, if you’re reading, could you post a pic of the shoes? I think people should see them.
It was such a wild and successful party that Lyndsay ended up with a stranger’s name tag stuck to her back. No, he wasn’t stalking her. I imagine in the mad crush of laughing, chatting, munching and sipping people he brushed against her and his name tag left his lapel and ended up on her black lace shoulder. A mystery story could start that way.
Those bright red goodie bags were filled with copies of Ellery Queen, Alfred Hitchcock, Mystery Scene, Strand Magazine, and the Mysterious Bookshop’s annual Christmas short story—as well as books donated and written by David Black, Lee Child, Hilary Davidson, Nelson DeMille, Kimberly McCreight, and Wendy Corsi Staub. There were also MWA-NY notepads, baseball caps, and thumb drives—to keep us all working hard, while shaded from the hot sun.
So, here’s my wish: may next year’s festivities be just as full and exciting as this year’s, and may we all end up with our name tags stuck to the backs of strangers.
Julia Pomeroy has written three crime fiction novels, The Dark End of Town and Cold Moon Home (Carroll & Graf), and No Safe Ground (Five Star). She has been a member of MWA for nearly ten years, and on the NY Chapter board for four. These days she lives in East Chatham, N.Y.
Photo courtesy of Nancy Bilyeau.
Revel without a Pause/Hearing Voices
This past Saturday, a number of MWA-NY members met to assemble the gift bags which will be given to all who attend our Winter Revels on December 2. Lots of swag—books and magazines, yes, but also a few surprises. With the gift bag, the food and drink, and the chance to congregate and indulge in convivial conversations, it’s safe to say that this year’s Revels will be a solstice celebration to remember. To the left of this blog post you’ll see where you can register to attend the soirée de mystère et de plaisir.
A little over a year ago, I was asked to write a piece for Trace Evidence, Alfred Hitchcock’s Mystery Magazine’s blog. The result was “Hearing Voices,” and you’ll find it below.
My thanks to Richie Narvaez for the pun that figures in the first half of this post’s title.
Hope to see you at the Revels!
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As a playwright and a writer of fiction, I spend a lot of time alone in a room talking to myself. It’s only natural that the question of voice fascinates me.
When I talk about voice, I’m talking about two things, really: the voice of an author, and the voices of an author’s characters.
The first is a subtle combination of subject matter, language, experience, and perspective—the sum of all the choices a writer makes in the creation of a work. Those choices are as singular as fingerprints, and also serve as identification. It’s why Hammett doesn’t sound like Christie, and why Christie doesn’t sound like Highsmith. Another word for this is style, which Raymond Chandler once defined as “the projection of personality.”
A character’s voice is a lot like an author’s: it reflects the age, background, likes and dislikes of that character, and serves to distinguish one character from another. For me—and this is a result of years of working in the theater—the key to a character’s voice is sound.
When I’m moving words around at my desk, or contemplating notes scrawled in a Moleskine, or walking down the street with a head full of jangling story fragments, one of the things I’m doing is listening for the sound of the piece in question. Sound isn’t separate from sense, of course. The two are related. But “Call me Ishmael” creates a different effect than “Hey, it’s Ishmael. How are ya?”
Voice is what draws us to certain writers and characters. It’s the single most important factor in appreciating (or not appreciating) an author’s work.
An editor once cut some lines from one of Raymond Chandler’s stories because they didn’t advance the action. Chandler begged to differ. In his letters, he wrote how he believed that what readers really cared about was
the creation of emotion through dialogue and description; the things they remembered, that haunted them, were not for example that a man got killed, but that in the moment of death he was trying to pick a paper clip up off the polished surface of a desk, and it kept slipping away from him, so that there was a look of strain of his face and his mouth was half opened in a kind of tormented grin, and the last thing in the world he thought about was death.
We’re all aiming for that golden combination of language, psychological truth, and urgent circumstance that makes for great reading.
The Greek philosopher Heraclitus once said that character is fate. Our fictional creations reveal their fates through the language they use. Voice is fate.
I’d better get back to mine.
It’s time again to start listening . . .
Joseph Goodrich is an Edgar Award-winning playwright and the editor of Blood Relations: The Selected Letters of Ellery Queen, 1947-1950.
A Cavalcade of Cozy Mystery Authors
Host Robert Daniher (far left) with the cozy crew of (left to right) Mary McHugh, Carole Bugge (aka C.E. Lawrence), Susan Breen, and Peggy Ehrhart.
On Saturday, October 17, Madison Public Library and MWA-NY hosted the first-ever Bones & Scones reading event in Madison, New Jersey. A cozy mystery version of Noir at the Bar, Bones & Scones was the brainchild of MWA-NY's Robert J. Daniher and Madison librarian Cassidy Charles (who buys all the mysteries for the library) as a way for cozy writers to connect with readers at an event similar to the popular Noir at the Bar reading series. What better location for a cozy reading event than a library with tea and scones?
The event was attended by almost 40 people who enjoyed scones and tea at the library while listening to four MWA cozy authors Peggy Ehrhart, Susan Breen, Mary McHugh, and Carole Bugge (aka C.E. Lawrence) read 8-minute excerpts from their work.
Daniher opened the event with a welcome to everyone and then introduced each of the authors. Ehrhart read from her first cozy work in progress; Breen read from her first mystery novel Maggie Dove, due out by Random House in 2016; McHugh read from her latest cozy novel Cancans, Croissants, and Caskets, out now from Kensington Press; and Bugge read from Who Killed Blanche DuBois, the first of her Claire Rawlings cozy series.
In between readings, authors were able to network with members of the local press and readers alike. The audience was responsive and the event wrapped with a brief Q&A with the MWA members. The library was so pleased with the turnout that they would like to host this twice a year. However, they may need to have more scones next time. Those flew off the table.
In addition to the MWA readers, women from a local writing group were also invited to participate and share their works in progress as part of a community outreach. One of those readers, Susan Danberry who read from her unpublished manuscript, later joined MWA after learning about the organization at the event. We welcome her.
INDEPENDENT BOOKSTORES: THE INSIDE STORY — LESSONS LEARNED
On the blog, we have recently published reports on four bookstore interviews I conducted recently: Doylestown Bookshop, the Mechanicsburg Mystery Bookshop, Moonstone Mystery Book Store, and Buffalo Street Books. This project began because Sisters in Crime asked Stefanie Pintoff and me to interview Otto Penzler and Ian Kern of Mysterious Bookshop about the state of the retail book business. SinC regularly creates deep dive reports on some aspect of the book business and last year they covered independent bookstores. The report is available here and is worth reading.
It got me thinking about how many independent bookstores there are in our chapter's large region. Most of us know nothing about any except for our local stores. I thought it would be useful to do some interviews and publish the results for our members. The always-helpful Jenny Milchman, Queen of the Mystery Book Tour, made suggestions.
Now is the time for summing up.
The news, perhaps surprisingly, is good. The interviewees cautiously agreed with the folks at Mysterious Bookshop, that the independent bookstore business appears to have stabilized, after a long period of enormous damage from the growth of both online bookselling and e-books.
Storeowners are seeing that there are people still want to hold books and browse the shelves in person. As to online sales, one owner made the point that she could get any special order overnight, just as good as the Big A. All of them said their customers want and value what online shopping cannot provide: personal recommendations from knowledgeable staff.
On September 23, The New York Times, which covers the book business very well, published this article that said much the same thing and in great detail. This is good news for readers and certainly for writers.
I discussed store events with all of them and their suggestions, as well as complaints, were similar.
1. Make it personal. They prefer personalized contacts. Send a hand-written note with your package, remind them you’ve met, and send a message to the store's Face book page. Don’t have it go through your publishers, either.
2. Be a partner. Be prepared to help in promoting the events. No surprise, that is essential.
3. Be creative. If you come up with a fresh, clever idea or a ready-made program, they would be happy to listen.
4. Be interactive. They also spoke a lot about the author being engaging, about being a person who really interacts with an audience. One said what she would find most useful from MWA is teaching authors how to do this better!
I hope this and the interviews have given each of you a new insight or idea.