NEXT WEEK, BECOME A PITCHER WHO CLOSES

John Grisham is a believer in the Elevator Pitch. You know, the one where you get on a lift with an editor or agent and hook the unsuspecting soul with a summary of your story that makes the “This is my floor” ding coincide with the light bulb appearing over his or her head. Assuming we all might learn something from […]

READ EVERYTHING!

A few years back, an acquaintance confessed to me that he was a closet poet. Since I had spent some of my youth nursing dreams of being the next e.e. cummings, Dorothy Parker, or Ogden Nash, I asked him who his influences were. “The only person I read is Charles Bukowski,” he said. After reading his work I understood —

YOU SEE, AND YOU DON’T FORGET: NYC AS INSPIRATION

If someone is looking for inspiration to write mystery or crime fiction, New York City is a good place to find it. It’s impossible to live in the city and not at some point be the victim of a crime, witness a crime, or hear about a crime that happened to someone you know. Then of course, there is also

THE 3 BEST THINGS I’VE LEARNED FROM OTHER MYSTERY WRITERS

It took me two-and-a-half painstaking years to write my first murder mystery, and since publishing it in 2002, I’ve tried to discover as much as possible about making the process easier and improving at the craft as well. I’ve learned some good stuff through trial and error (lots of error!), but I’ve also gained a ton from listening to other

Slicing the Salami: How to Stop Procastinating and Write

Over the years, people have frequently asked me if the time I spent in the magazine business — I ran five national magazines, including Cosmopolitan, for 14 years — was good preparation for my career as a mystery and thriller writer. My guess is that being a former prosecutor, cop, or private eye would have served me better, but overall

WRITING IS EXCESSIVE DRUDGERY…

…It crooks your back, it dims your sight, it twists your stomach and your sides. In other words, as if we didn’t already know it, the writing life has always been hard. But the MWA-NY Mentor Program does what it can to help, by pairing writers in any stage of their career with a mentor from among our Active members.

The Importance of Cover Copy

Laura K. Curtis discusses why you need to be at least as picky about the writing of your cover copy as you are about the writing of your book.

MYSTERY SOLVED: FROM PAGES TO PRIME TIME

You may recognize Ken Levine as a popular culture commentator on CNN’s recent series The Eighties. His expertise comes from decades as a writer for shows like MASH, Cheers, Frasier, and  The Simpsons, just to name a few. Levine also writes a daily blog laced with insight, wit, and a refreshing bit of snark that focuses mainly (although not exclusively) on the entertainment

Keeping Yourself and Your Work Safe

PERSONAL SAFETY: Artists, authors, musicians, crafters…if you’re in a creative business you need to get the word out about yourself and your work. People need to associate you with your product. As a marketing and “branding” professional, I spend a lot of time giving people advice on how to get “out there.” But today I want to take a step

Goal!

The turnout for our January meeting on self-publishing was excellent and I hope everyone found the information useful. But one thing we didn’t really discuss is what self-publishing means in terms of a writing career. As writers, most of us rarely think beyond the book. We don’t like it. We want to think of ourselves as creatives, not business people.

Revel without a Pause/Hearing Voices

This past Saturday, a number of MWA-NY members met to assemble the gift bags which will be given to all who attend our Winter Revels on December 2. Lots of swag—books and magazines, yes, but also a few surprises. With the gift bag, the food and drink, and the chance to congregate and indulge in convivial conversations, it’s safe to say

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